Category Archives: design

Prusa i3 8” 3D Printer Enclosure

Files for the enclosure are now listed on Gumroad!

In the late fall of 2013, I bought and assembled a Prusa i3 3D printer. I split on the costs with a friend. We ordered from Makerfarm.

I will write a different blog post about owning and using a 3D printer. In the meantime, I decided to design an enclosure for my printer. Partly for containing heat without overheating. Partly for creating a central venting position.

My beautiful wife used Hot Pop Factory in the recent past for laser-cutting so it seemed a natural solution for me to go with for my enclosure. I contacted Matt from Hot Pop Factory and got some advice in how he needed files set up. After several iterations in design with feedback from Matt, I settled on this:

Enclosure Plan

Matt, once again, proved invaluable in being willing to test out my design. Namely the nut capture and slot fitting. He was the one that pointed out the need for the tabs on either side of the nut to supply structural support and enforce the 90° angle;

Laser Test

I really like machine screws. Specifically the #6-32 machine screws (machine screws don’t have pointy ends) of varying lengths. You can go to Home Depot and buy a box of screws for around five bucks. Good deal if you want to monkey around. A box is usually 100 pieces. For this enclosure, I made sure to have three lengths available; 1/2″, 3/4″ and 1″. With a box of 6-32 nuts to fit.

Nut and Screws

Finally, after much finagling, my enclosure was designed, uploaded, downloaded, configured and cut! Matt called, I drove over to Hot Pop and there was my enclosure begging to be assembled.

Newly Cut

I am writing the assembly instructions and will sell the plan via Gumroad soon for $10. I will also offer a price for a laser-cut enclosure kit which you will assemble yourself. All necessary hardware included. That will be in the under-$100 range.

This is the assembled enclosure with the printer inside. On the right, I’d popped an under-cabinet LED strip in to see it with lighting.


The filament holder is strong enough to hold two fully-loaded spools! Check it out!

Filament Holder

I will say it was fun experiment and even were I to never sell one of these in kit form, it was worth doing. If only because it let me do something I was unfamiliar with in the beginning.

Wilk Watchworks Collaboration

During my FITC Influxis Voodoo Lounge session, I showed a couple of slides concerning my collaboration with Scott Wilk, a toronto-based silversmith and watchmaker. His shop is called Wilk Watchworks.

I am incapable of doing justice to how impressed I am by Scott. He has shown an insane amount of patience for a non-watch designer. The process of dealing with me can be summed up in one sentence “Why not?” When he seemed reluctant to do something, he just shrugged and I could see it in his head “Why not?”. So kudos to you, Scott.

Finishing these are some revisions and finishing comments both Scott and I have and will address in any sold watches. The prototypes I have in my possession are 95% what I want. The process Scott went through to make these watches at all was monumental. Truly an impressive feat.

Cost while cost may be barrier for most, I want you to know something (and it took a very dear friend’s advice for me to realize this) if we could make these watches less expensive, we would. In fact, Scott has looked into alternatives to the casting and hand-finishing methods he is obliged to use to make these handcrafted objets d’art. Our intention would be to have cheaper, in the $300 range, production watches and these art handcrafted watches.

Where where would I be able to order these fine, hand-crafted pieces, you ask? The Rounders watch is available here. Tron, here.

WIP I was constantly amazed that Scott was willing to let me collaborate with him in the first place that I actually kept up a pretty good work-in-progress gallery on the Moviesinhaiku facebook page for both Rounders and Tron.

To those of you that have seen the watches firsthand and liked them and said so, thank you so much. I can honestly say I was blown away by the positive reaction during FITC to Scott and my watches! Means a lot!

My 2010 In Review

2010 was a strange year for me.

Unintentionally I did less client work than I should have. When I started working on a portfolio, I had to wonder how I managed to pay my mortgage with how little work I did. Heck, I even griped about not working in April. You know that feeling that maybe it’s you? Yeah…

Moviesinhaiku – Watches, Prints, You know…
On the other side of things my self-directed personal project, Moviesinhaiku, started taking off. I was given some interesting opportunities involving my love of movies and haiku.

Firstly, Scott Wilk invited me to design a watch! That’s pretty much the coolest thing ever. I cannot wait for it to be finished. And I think we’ll continue the collaboration as I enjoy designing watches. I can’t vouch for Scott, but I am totally into it. And if anyone else wants me to design a timepiece, hellz ya is all I can say to that.

The casing from render to silver casting

The face from render to silver casting

I’ve been working on the second watch for a little while now. Very excited about that.

Secondly, Dana Brunetti from Trigger Street asked me to design a larger version of one of my prints and I opted for doing a brand-new triptych of their latest production, The Social Network. My first commission, as it were. Very exciting! Anyone wants a custom Moviesinhaiku original, let me know, I am down.

The Social Network tripych

Public Speaking
I was also truly lucky to speak 3 times this year at events. The Flashbelt conference, Flashonthebeach and FiTC Edmonton. I wrote about them individually before, so let’s just say I really love public speaking and my intended session for 2011 ought to be awesome. So far my only confirmed speaking engagement is for FiTC Toronto. This should be an amazing conference and I am truly excited about it. Any other conference organizers want me to speak at their events, let me know, I simultaneously love and hate public speaking, but I am getting a knack for it.

The Future
What’s on the horizon for 2011? Man, I know one thing, I am going to be working on a documentary film I am calling Influential – The Age of Digital. I blogged recently on how to create a wordmark and that was meant as a teaser to this project. Stay tuned, I am crazy excited about this project.

My upcoming documentary film project

If you know something about the film industry, man I can use some help. So far, I am stoked to know that the fine folk at Influxis will be involved and potentially FiTC. I don’t want to speak out of turn, so I’ll leave it there. Anyone want to throw money into a totally interesting project for a production credit, you need to let me know. Or however that works. I am hoping to find out soon.

Finally, I quit smoking. Feel really good about that.

Creating a wordmark

The above image is the wordmark for a new project I’m hoping to start soon. More on that on a future date.

I thought I’d just do a post on how I came up with this wordmark. Probably because when I started, I asked a designer friend of mine to do it since I was afraid of doing it myself. Have you ever heard the phrase “Throw enough shit at the wall to see what sticks?” It’s used commonly in the advertising industry in brainstorming. They call it brainstorming I call it monkey-poo. They’re the same thing and completely valid, but come on, monkey-poo is funnier.

I’ve said it before, I’ll say it again, I’m no designer. However, for the last 6 months, I’ve been playing with design and typography so I wasn’t completely adverse to attempting this.

I digress, here’s monkey-poo;

As you can see, I just typed Influential in different font faces to see if anything stuck out. There are likely easier ways to do this, but I look at a big page with ton of the exact same word in different faces and I can see things that stand out. A curve here, a heavy letter there.

After looking at the above image for a while (I confess to about half an hour) I knew I didn’t like any of them. So I did a quick font look to see if anything pops out;

That’s when I saw it. Bauhaus 93

I liked its weight (it’s heavy, really heavy). But I didn’t want just heavy. I wanted flow. I wanted curves. I also wanted something the word implies: influence. I wanted the letters to influence each other.

So I started looking at the individual letters. Starting with the I. In essence, I grabbed the f and copied its curve;

Then I thought, the L is basically just an uppercase I, right? So I flipped it and voilà! An L!

You might also notice that the I is now thinner. I matched the width of the L.

Then my focus shifted to the n and the u. I knew I’d be flipping the u as an echo of the n, so really my focus shifted to the n. To get what I wanted, I added a triangle to the corner of the n.

So here I am, the I, the L, the n and u are where I want them. The lowercase i is simply a shorter I with the ever-so-important dot.

As might be noticed, I’ve concentrated on what could be considered the easy characters. So I stayed in the vein with the easily solved f and t. My decision is to simply add a second rectangle so the character is balanced, copy and flip vertically. That’s right, once again, I am reusing the character;

On to the characters that legitimately scared me; a and e. Starting with the a. For a, I chose to make two circles and add a triangle. I mean, it took some time to figure out that’s what I wanted to do, but not much and that’s that;

I am so close now I can taste it.

The last letter to figure out is the e. To be fair, this was/is a tough one. I’m happy with it, but not over the moon about it. It is a flipped a with a strike-through, essentially.

And that is that. With some tightening, a lot of tweaking for alignment, I arrive at;

If you want to see the iterations as I progressed, here they are: